Toutes peintures à l'huile d'Louis Le Nain

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20520

A Farrier in His Forge (mk05)

Canvas,27 1/4 x 22 1/2''(69 x 57 cm)Acquired for the collection of Louis XVI in 1777

29261

A Visit to Grandmother

mk65 1640s oil on canvas 23x29"

91701

Besuch bei der Grobmutter

c. 1640(1640) Medium oil on canvas Dimensions 58 X 73 cm cjr

70131

Der Bauernwagen

Medium Oil on canvas Dimensions Deutsch: 56 X 72 cm

83089

Die Schmiede

Oil on canvas Dimensions 69 x 57 cm cyf

40463

Family of Country People

mk156 1640 Oil on canvas 113x159cm

45678

Farmer family in the parlor

mk186 1648 Paris muse you Louvre

45683

Farmer meal

mk186 1642 Paris muse you Louvre

67499

fransk bondkvinna

1625-50 se

33592

La Charette

mk86 1641 Oil on canvas 56x72cm Paris,Musee National du Louvre

55731

La Charette

mk244 1641 Oil on canvas 56x72cm

21560

La Charette (mk08)

1641 Oil on canva, 56x72cm Paris,Musee Natonal du Louvre

53830

Landscape with bondfolk

mk234 about 1640 47x57cm

1017

Landscape with Peasants

1640 The National Gallery of Art, Washington DC

57253

Peasant family

mk255 for in 1642. Oil painting, 1.13 x 1.59 meters. Paris, the Louvre

20511

Peasant Family in an Interior (mk05)

Canvas,44 1/2 x 62 1/2''(113 x 159 cm)Acquired in 1915

69784

Peasant Interior with an Old Flute Player

oil on canvas painting by Louis Le Nain, Kimbell Art Museum

20512

Peasant Meal (mk05)

1642 Canvas,38 1/4 x 48''(97 x 122 cm)Bequest of Dr.Louis La Caze 1869

33593

Peasants at their Cottage Door

mk86 undated Oil on canvas 55x68cm San Francisco

21561

Peasants at their Cottage Door,undated (mk08)

Oil on canvas 55x68cm San Francisco,The Fine Arts Museums of San Francisco,Californai Palace of the Legion of Honor

97952

Pygmalion and his statue

ce tableau est exposx au Salon de 1777, nx3. Medium oil on canvas cyf

20516

The Adoration of the Shepherds (mk05)

1630-1632 Canvas 113 x 55''(287 x 140 cm)Seized in the Revolution INV

40462

The Cart or Return from Haymaking

mk156 1641 Oil onwood 56x72cm

20513

The Cart or the Return from Haymaking (mk05)

1641 Canvas,22 x 28 1/4''(56 x 72 cm)Legacy received in 1879

20519

The Guard Romm (mk05)

1643 Canvas,46 x 54''(117 x 137 cm)Acquired in 1969

29360

The Milkmaid's Family

mk65 1640s Oil on canvas 20x23"

34288

The Milkwoman-s Family

mk91 1640s Oil on canvas 51x59

41050

The Milkwoman-s Family

mk159 1640s Oil on canvas 51x59cm

30574

The Peasant Family

mk68 Oil on canvas Paris c.1640 France

20518

The Pilgrims at Emmaus (mk05)

Canvas,29 1/4 x 36''(74 x 91 cm)Chapel of the Chateau de Rochambeau in Vendomois (until after 1948);Comte Andre de Montalivet;acquired for the Louvre in 1950

78010

Twee meisjes.

2nd quarter of 17th century Oil on canvas 41 x 30.3 cm (16.1 x 11.9 in) cjr

22539

Venus in the Forge of Vulcan (df01)

1641 Reims,Musee Saint-Denis

41049

Visit to Grandmother

mk159 1640s Oil on canvas 58x73cm

64280

young prince, c

1630 nant beaux-artses, muse'e des

81260

Zwei Madchen

Oil on canvas Dimensions 41 x 30.3 cm (16.1 x 11.9 in) cyf

Louis Le Nain

1593-1648 French Louis Le Nain Gallery French family of painters. Antoine Le Nain (b Laon, c. 1600; bur Paris, 26 May 1648) and his brothers Louis Le Nain (b Laon, c. 1600; bur Paris, 24 May 1648) and Mathieu Le Nain (b Laon, c. 1607; bur Paris, 26 April 1677) lived together and shared a studio in Paris. Since the studio was headed by Antoine, he is assumed to have been older than Louis. The brothers reputation rests on a number of paintings signed Le Nain, on the basis of which other paintings (but no drawings) have also been attributed to them. None of the signed paintings bears a Christian name, and there is no secure way of attributing works to the individual brothers, although many attempts have been made. Eighteenth-century sale catalogues, fearful of anonymity, effectively chose from the three names at random. Since the writings of Witt (1910) and Jamot (1922) in particular, it has been habitual to ascribe small paintings on copper to Antoine, and austere, larger peasant scenes to Louis. This division of hands will be found in almost all the subsequent literature on the artists, although it must be stressed that there is no evidence at all to support it. Great efforts have also been made to identify works by Mathieu, since he survived his brothers by nearly 30 years and presumably continued to paint after their deaths in 1648. However, no such activity after 1648 is securely documented, and none of the surviving works bears a date later than 1647; and the arguments for a separate Mathieu oeuvre, though cogent, should not be regarded as conclusive. The outstanding feature of the work of the Le Nain brothers, and the basis of their celebrity since the mid-19th century, is the artists treatment of the poor.

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